Editorial Reviews From the PublisherThis is Mary Balogh at her riveting best. Everyone loves a wounded hero, and Balogh introduces us to an unforgettable one who discovers the healing power of love."--#1 New York Times bestselling author Debbie Macomber[Mary Balogh] writes with wit and wisdom. . . . The Proposal is both moving and entertaining and the beginning of what promises to be an outstanding series."--Romance Reviews TodayA historical romance of unusual thoughtfulness and depth."--Publishers Weekly Publishers Weekly In a strong opening for the Survivor's Club series from prolific Regency doyenne Balogh (The Secret Mistress), a mismatched couple finds common ground in trauma and survival. When Hugo Emes, Lord Trentham, a resolutely middle-class businessman's son raised to the peerage for heroism in battle, rescues elegant widow Gwendoline Grayson, Lady Muir, after she badly sprains an ankle, both agree that their mutual attraction can go nowhere. Though Gwendoline's agreement to sponsor Hugo's young sister in society allows Balogh to include the typical trappings of the Regency genre, the heart of the tale lies in the slow-growing closeness between the alternately taciturn and blunt Hugo and the charming and gracious Gwendoline, whose social poise hides deep wounds left by a troubled marriage. Beautifully characterized and with a gracefully developed romance, this is a historical romance of unusual thoughtfulness and depth from one of the best writers in the genre. Agent: Maria Carvainis, Maria Carvainis Agency. (May) Kirkus Reviews A widowed noblewoman and a lord with middle-class antecedents engage in a decidedly unconventional courtship. Lady Gwendoline, somewhat lame from a long-ago riding accident, sprains her ankle while taking an ill-advised shortcut up a seaside cliff, which just happens to be on the grounds of Penderris Hall, where the Survivors' Club, six Napoleonic war veterans and a widow, meets annually. One of these, Hugo, Lord Trentham, who earned his title as a reward for valor in aForlorn Hope" assault on the enemy, comes upon Gwen, and in his gruff, no-nonsense way carries her to Penderris. His companions had just been joking that Hugo, who has decided to take a wife, would propose to the first woman he met at the shore, and now their jibes prove prescient, for Gwen and Hugo are instantly drawn to each other, and in contravention of every rule of decency, consummate their love days later, in a way that Jane Austen may well have imagined but would never have put in writing. Both acknowledge the considerable impediments to a marriage between them. Hugo is solidly middle-class although he's the inheritor of a substantial import/export fortune. Gwen bears tremendous guilt from her first marriage: Her husband, who suffered from manic depression, killed himself in front of her, not long after her miscarriage, a result of the aforementioned riding accident. Hugo also is tormented by conscience: The hopeless attack he led succeeded only at the cost of massive casualties. Moreover, only a middle-class wife could help Hugo find a suitably bourgeois match for his half-sister Constance. But Constance, with Gwen's collaboration, aims to make her debut at balls and parties among London's high society. Reluctantly assenting, Hugo also agrees to court Gwen in a genteel manner Austen would definitely endorse, even if it kills him. Balogh contravenes the conventions of historical romance by introducing an ingredient the genre is not always known for: intelligence.